Recorded at

Polar Studios, Sweden, March 1995

Rammstein is an industrial metal band. Discography: Herzeleid, Sehnsucht, Mutter, Reise, Reise, Rosenrot. Songs: Du hast, Mein Teil, Mann gegen Mann, Links 2 3 4.

Addeddate 2019-05-09 19:10:46 Externalmetadataupdate 2019-07-08T12:35:10Z Identifier rammsteinflac201905 Scanner Internet Archive HTML5 Uploader 1.6.4. Rammstein.Discography.1995-2017by Lucky Mitchell.MP3 » audio music mp3 3 years 7605 MB 0 2 Rammstein - iTunes Discography » audio 7 years 1117 MB 2 0 Rammstein - Discography mp3 320 (1994-2017) » audio music mp3 2 years 14 GB 1 1 Rammstein Discography-High Quality » audio music mp3 9 years 654 MB 0 1 Rammstein - Discography 1995 - 2019. Rammstein; Discographie Discographie. Sign in to follow this. Pierrick Dautrement, Rammstein World Powered by Invision Community. Discover releases, reviews, credits, songs, and more about Rammstein - Untitled at Discogs. Complete your Rammstein collection.

Mixed by

Ronald Prent at Chateau du pape

Labels

Motor
Universal (Re-Release)
Slash (US)
XIII Bis (France)

Tracklist

1. Wollt ihr das Bett in Flammen sehen? 5:17
2. Der Meister 4:08
3. Weißes Fleisch 3:35
4. Asche zu Asche 3:51
5. Seemann 4:48
6. Du riechst so gut 4:49
7. Das alte Leid 5:44
8. Heirate mich 4:44
9. Herzeleid 3:41
10. Laichzeit 4:20
11. Rammstein 4:25

Artwork

The original cover caused controversy in Germany. The press said that Rammstein depicted themselves in this image as master race. Richard commented: Totally stupid. It's just a photo. Till: We just stood there for a photo, but that it would be so polarizing, brought us down and got on our nerves. But on the other hand, it polarized and stirred people's awareness. Either you liked us, or you thought we were absolute shit. To put it simply: Something's happening. This appealed to us, because it created attention. What could be better for us, than when people notice us?

The North American version had a different cover, comprised of the band members' faces from the inside of the original booklet, placed side-by-side.

The booklet shows six single-member pictures on a white background, which were later combined to form the North American cover of the album.

There are also pages showing flowers. Till said that it was someone's idea to give their relatively Teutonic, warlike appearance some contrast.

The booklet shows the lyrics for Herzeleid, Das alte Leid and Heirate mich in French. According to Till and Schneider, it was a joke. The band's then manager's wife was French and understood the band's lyrics well and translated them to French. The band decided to put them in the album's booklet. In fact, the French translation for the title track is actually a translation of the demo of the song. On some other versions the lyrics for Rammstein, Weißes Fleisch and Seemann are also translated to French.

Album formats

2LP

Double black vinyl. Released in 2015 as part of the XXI box set. Released separately on December 8, 2017.

Cassette

Released in a few countries only. Alternative cover in the US.

XXV Anniversary CD

Digipack. Released on December 4th 2020. Remastered songs.

XXV Anniversary 2LP

Two 180-gram vinyls. Released on December 4th 2020. Remastered songs.

Herzeleid was released on CD and on cassette in many countries.

Some editions of the Herzeleid CD were censored. Some copies had Schulhof and töten beeped out during Weisses Fleisch, and other versions had these words removed from the CD's lyric booklet, but not from the song itself.

The only time Herzeleid has ever been released on Vinyl is on the XXI boxset, and the subsequently released individual LPs from said boxset.

The album was also a part of the famous Riech! box, comprised of the Duftdigipak CD single (a digipack sprayed with CK Obsession perfume), a 3,5 ml mini flacon of the Calvin Klein perfume Obsession packed in its own little cardboard box and a Motor Music press release.

Created from a big bang, an urgency that has gripped all six musicians equally, RAMMSTEIN want to be understood as an indivisible unit. All participants have always made music that had nothing in common with the RAMMSTEIN sound of today. In the East they ignored the work obligations and existed in the niches.

They call this today free game course - in contrast to the safari park of the reunited Germany, where sometimes somebody comes along, who throws a little bit of food. But a little bit of food does not fill the stomach. The RAMMSTEIN musicians come from East Berlin and Schwerin - that's in the North, they still explain helpfully, as if it were a completely foreign country. RAMMSTEIN took place with a tremendous impact, which is equally reflected in the music and the lyrics. At the same time as the group was founded, all partnerships between the musicians broke up and the general living conditions also gave rise to RAMMSTEIN's immanent anger.

RAMMSTEIN write very expressive texts in a wondrously direct language. Powerful and harsh, they push for the greatest possible expression, for pure feeling, driven by their very own musical mixture of programmed beats and metal elements, which they like to call 'dance metal'. RAMMSTEIN is an appeal to pure emotion and inevitably reaches its goal.

In expressions like: You want to see the bed on fire/ You want to drown in skin and hair/ You want to stick the dagger in the sheet/ You want to lick the blood off the sword/ Sex is a battle/ Love is war, and You smell so good/ I'm going after you/ I'll have you in a minute, lies a stoic unconditionality. That her lyrics are very trivial is no understatement. From the point of view of RAMMSTEIN, they are little caresses, love songs, in a perhaps decadent way. When asked how such texts are created, RAMMSTEIN answers laconically: On the typewriter Charles Baudelaire or even Brent Easton Ellis played no role in RAMMSTEIN's life. They write their texts intuitively, without role models One wants to read the German Expressionists for a while, until one had no more time. That is probably the difference between a scholarly and a creative talent: RAMMSTEIN do not manage the heaps of literary history, they pour language onto paper as if it were the first (and last) time. Perhaps RAMMSTEIN are indeed blind to their own work. But it is a fact that some things should not be spoken about in order not to destroy the magic of music.

It is also a fact that RAMMSTEIN have already caused quite a stir with their monolithic metal music, their repetitive-hypnotic steely sound masses, their theatrical-mandatory singing and their lyrics. Already with their first demos they won a studio production in 1993, in 1994 they conquered the East with their ecstatic live show and their desired producer Jacob Hellner, who spontaneously agreed to produce Herzeleid after a gig in the Hamburg logo' although he didn't understand a word of German.

Herzeleid was recorded in April/ May in the Stockholm BomKrash-Studio. Mixed in July at the Chateau du Pape in Hamburg.

And everyone involved agrees: Herzeleid is a groundbreaking debut and RAMMSTEIN is a rush that simply has to be allowed.

Madness is only a narrow bridge/ The banks are reason and instinct This is roughly the quintessence of two thousand years of philosophical history.

The most unusual release: Hinkelstein. As a

Rammstein Discographie